Of the nearly 200 pictures using motor racing as a backdrop, only a handful are considered classics. Why is that?
One of the reasons is that age-old delicate balance challenge for any genre, where the filmmakers not only capture that specific world but do so with a riveting story. It is the same for motor racing cinema; some capture the speed and danger of the competition but the story is weak, while others provide compelling characters but their efforts on the track are the pits.
Renny Harlin, director of the 2001 racing drama, “Driven,” points to a couple other reasons, such as financing and a surprisingly tight demographic that prevent more motor racing movies from getting made.
“I don’t think a race car movie is any more expensive to make than other action films, but so few of these movies have worked that studios are hesitant to make them. The audience is also so specific that you can’t count on the same kind of cross over popularity like with other sports movies like baseball or basketball,” notes the filmmaker, who adds, “The irony is that Formula One racing is the second biggest sport in the world, after soccer, but in the U.S. no one watches it. NASCAR, on the other hand, is virtually unknown in the rest of the world, hence financing is a problem.”
But what NASCAR does have is a huge and fanatical domestic following. So where are the motor sport films servicing that free-spending crowd?
Certainly there have been notable stock car films through the years that have provided a different glimpse of that world such as: “The Richard Petty Story,” “Days of Thunder” and “3-The Dale Earnhardt Story,” still nothing has approached classic status in that category of racing.
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